Copyright for Short Online Literary Works

Written 3/27/2019

I was going to post the first installment of a piece of fiction this week, but I got a tweet this morning from @hopeclark NEW! Group Registration for Unpublished Works. One copyright fee for multiple works sounded like an important diversion. I’d been wondering about copyright if I serialize and post an entire novel on my blog. That link says “unpublished” – would they be considered “published” on the blog?

First of all, in case you didn’t know it, everything you write is copyrighted as soon as you put it into a “tangible form,” but for better legal protection you “register” your copyright through the Copyright Office. The fee is going up later this year, but it’s relatively cheap insurance against abusive copyright infringement or bogus claims against you.

That tweet from Hope Clark linked to a description and date the rule allegedly went into effect at a seemingly reliable source, the Copyright Alliance. However, whenever possible, I like to get my information from the primary source. The primary source for anything is the base, where it originates, which in this case would be the law or regulation coming out of the Copyright Office.

Searching through the Copyright Office website, all I could find was the proposed change as written back in December. If you open the Copyright Office link, scroll down to “Rulemaking” and, as of today, you’ll see Group Registration for Short Online Literary Works. There you’ll find another link to the proposed change: December 21, 2018 – Notice of Proposed Rulemaking.

Well, rules don’t always go through as proposed, so I looked around the Copyright Office website for the actual rule allegedly put into force more than a week ago, to no avail. Finally, I called them. I was on hold less than five minutes and got a very pleasant person who explained where to find the new rule when it is posted. Below that “Rulemaking” bar on their homepage is a gray bar More Rulemakings which brings up a page where Open Rulemakings are listed at the top (with that same December notice link) and, as you scroll down, Closed Rulemakings. That is where the actual rule will be linked so you can verify whatever other sources tell you.

My competent Copyright Office person (sorry I didn’t think to get your name) verified that this particular rule has been approved and the final version will be posted in Closed Rulemakings. She could not say whether or not it was approved as proposed in December, however I had some specific questions she was able to address. In particular, I wanted to know if I could copyright the novella I meant to start posting this week. She advised me to not use the word “chapter” because this new rule is not designed for books. We will be able to copyright (in one application with one fee) up to fifty blog posts made within three calendar months. Each post has word limitations.

Running the numbers led to looking for online serializations and that led to wondering where I want to post the fiction – here? On the blog that will be part of my new website? Would I lose my WordPress readers and be harder for readers to discover?

Whatever I decide, the next fiction blog will be next week, in April, so I’ll have the option of copyrighting three month’s worth of blogs under one title with subtitles for each blog. Meantime, it feels good to have popped back to writing for writers this week.

www.sherimcguinn.com www.amazon.com/author/sherimcguinn https://www.imdb.com/name/nm8459664/

You are welcome to share this link with others, but please respect copyright by contacting me for permission if you want to publish the material elsewhere.

Thank you.

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Novel Bites: CJ from Running Away

Novel Bites is a series of short stories from the perspective of secondary characters in my novels. This is a scene from Running Away, told from a different perspective.

CJ

You didn’t come home last night.”

Uncle Joe’s  not angry and he’s not specifically asking where I spent the night. After all, I’m eighteen. But it’s clear he’d like to know. He figured out I smoke weed long ago – the smell clings to you – but I don’t do that much and never before work, and he doesn’t bug me about it. So I don’t mind answering him now.

“I drove a friend to the grocery store and by the time we got done, you would already have been in bed. I didn’t want to wake you up with a text.”

“Don’t worry about that. I turn off the sound at night, but we’d have seen it in the morning. Your aunt was worried. Send her one now.”

I nod and pull out my phone to do it right away.

My dad died when I was ten and when my mother married six years later, Uncle Joe and Aunt Maria said they’d be happy to have me come live with them to finish high school. They knew I’d never liked the guy. And I’d already been spending my summers with them anyway, helping in the restaurant. It reminded me of when Dad was alive. I was so mad when Mom sold his place. It was supposed to be mine when I grew up.

Now I realize maybe she felt like she’d always been in competition with Dad’s restaurant. She certainly hadn’t ever loved it the way he did, even though she was right there by his side working with him. Selling it was the right thing for Mom. She was happier working for someone else instead of struggling to make a profit every month.

Aunt Maria texts me back right away, so I know she was waiting to hear from me. Next time I’ll make sure to let them know ahead of time.

Maybe I should plan on staying at Charlie’s again tonight. I already used my extra work clothes today, but I could run home on my dinner break to get more.

It’s not safe for Maggie at that house. And it was nice waking up next to her. But we might end up having sex if I come back tonight, and she’s not ready for that. I don’t want to be that guy. She’s messed up enough by what her step-father did to her. Not to mention she’s jail bait, though she doesn’t seem that much younger than me.

She’ll probably be okay. Charlie’s got Crystal, he won’t hit on Maggie.

Besides, I’m really pissed with Charlie about last night. Uncle Joe would give me the boot for that, even if I was just the driver and didn’t shoplift anything myself.

No, I don’t need to go back to that house.

***

It’s been busy all day, easy not to think about Maggie or worry about her being alone in Charlie’s house. She’s just a kid, fifteen today, all alone because her mother married the wrong guy. At least my step-father wasn’t like that.

Then I see her standing outside, looking at the stained glass hangings I did for Uncle Joe.

Before she can leave, I step outside. “Maggie, how’d you find me?”

“I was just looking for someplace to eat.”

But she looks stressed out and she has that huge backpack with all her stuff.  I nod at it. “You find another place to stay?” I hope Charlie didn’t try anything.

She looks past me, over to the side, avoiding my eyes. “I’m going to check out some other parts of the country.”

Shit, he must have done something. If she stays, maybe she’ll talk to me. I’ll kill him. At least beat the crap out of him. But I’ve got to sound cool so I don’t scare her off. “So I might not see you again. Come on in. I’ll buy you dinner.”

She smiles, so I lead her inside. It’s packed, but there’s a table in the corner open. She’ll be more comfortable there. I help her take the pack off and set it against the wall.

“This is Aji’s section. He’ll be right with you. Order anything on the menu.”

I know this will be okay with Uncle Joe. He helps out people all the time. He has me in charge of the coffeehouse side of the place, while he manages the restaurant. It’s the same kitchen and same menu of Greek food, but the ambiance on my side’s less formal.

Once I assure her that I’m paying for her dinner, Maggie relaxes some. I make her promise to talk to me before she leaves, then get back to work. But I keep an eye on her. She wolfs down the lemon-flavored soup that’s one of our specialties, but when Aji takes her a lemonade and gyro, she just looks at it. I stop by the table to ask if everything’s okay.

“Great. I probably won’t be able to finish it all.”

“Good.” I was going to sit down and see if she’d talk more, but there’s a customer up front waiting to pay. As I start to leave, she calls me back.

“This is weird, but I’ve gotta ask, is your uncle’s name Joe?”

I told her all about the restaurant and living with my aunt and uncle last night. But I want to know how she guessed his name.

“I think my mom met him a long time ago. When she was my age.”

So that’s why she came to Harrisburg – her mother must have been here. We get runaways, but winters are cold and rainy. It’s not a great place to be on the street.

And Joe’s always helped people. So I say I’ll go get him. She backs off, saying he probably wouldn’t remember her mom, but I figure he might, and besides, the longer Maggie’s here, the longer she’s safe. Maybe Uncle Joe will have a way to help her.

When I’ve cashed out the customer on my side, I go over to the restaurant and ask Uncle Joe to talk with me a moment in the office, a tiny room off the kitchen where we do the bookkeeping.  He goes with me right away.

“Is it about last night?” he asks.

“Kind of. There’s a girl. She’s run away because her step-father raped her, but she probably wouldn’t want me to tell you that. I stayed with her last night. It’s not a good place for an innocent kid. I’ve been trying to figure out how to help her all day, then she showed up and I bought her dinner. She says she’s going to move on, but anyplace she finds . . . ”

“How can I help?”

“She thinks you may have helped her mother, way back. Maybe . . . I don’t know.”

He says he’ll come over to meet Maggie as soon as he’s taken care of a few people ready to pay and leave. I take her a piece of baklava with a single birthday candle on top. Her smile warms me to the core.

“Thanks,” she says, “and thanks for not singing.”

I tell her Uncle Joe wants to meet her and ask what she did for her birthday. Her face tenses a moment, then she claims she just spent the day reading her mother’s journal, the one that told her about Joe and Harrisburg.

There’s something else though. I know something bad has happened.

Then Aji brings her a refill on her lemonade and she passes him her dirty dishes. She drops a fork on the floor and bends down to get it. As she sits up, she turns so she’s facing me and hands the fork to Aji without looking at him. Her eyes are glazed in terror.

Once he’s gone, she squeaks out, “How well do you know Aji?”

Aji’s worked for us for about six months and has always seemed like a good guy. He’s the one who introduced me to Charlie. But her question has me ready to pound him for hurting her, if that’s what he did. But it’s not. Not exactly.

“He robbed Charlie today.” I can barely hear her as she explains how two of them came in with guns, wearing ski masks, and stole Charlie’s stash of drugs and weapons.

She recognized Aji’s shoes. When Joe told him our wait staff all wear black shoes, Aji painted his Nikes black and swapped to skinny dress laces for them. Charlie recognized them, too, and he’s looking for Aji. What’s worse is Matt is with him. I met that guy once and he scared the shit out of me, and we were just sharing a joint. Matt was there to sell her ID. When she left the house, they were going to hunt the robbers down. If they know Aji works here. . .

Suddenly Uncle Joe’s at the table, pulling over a chair and asking Maggie about her mother, how she knew him.

“You just gave her a motorcycle ride one afternoon.”

My mind’s spinning, trying to think how to avoid having a shootout here while they chat back and forth. He remembers her mother, though. It was the year of Agnes, the storm everything’s still measured by here. He was on his way to see my dad up in Canada. Grandpa never really forgave my dad for dodging the draft.

Joe says Maggie has her mother’s eyes. Her mother must have been important somehow, because he and Maria looked for her when they were coming to visit us. So he didn’t know her here, didn’t know Maggie’s mom ever came to Harrisburg.

Joe gets up to leave and shakes Maggie’s hand. “Good luck, and give your mother our best. Tell her to stop in if she’s ever in town. Maria will be sorry she missed you, but she’s in Greece a few more days, visiting family. Nice meeting you, Maggie.”

Once he’s gone, she asks me what I’m going to do about Aji.

“I’ll tell him Charlie’s after him. If you’re right, Aji will leave right away and we won’t see him again.” I hope that’ll work. I’ll have to figure out what I’m going to say when Charlie shows up.

I wrap up her baklava and walk her out.

She’s right to be leaving town. Charlie’d probably be chill with her having been there when he was robbed, but Matt is one scary dude. I try to talk Maggie into calling her mom. If her mom ran away, too, she’d probably understand. But the creep of a step-father has Maggie convinced her mother will blame her for everything and hate her.

I give her a quick hug, hoping she’ll be okay.

Aji takes off like I figured he would and when Charlie shows up with Matt, I pretend I’m ticked at the guy for leaving us short-handed with no notice.

I finish with, “He didn’t even wait for his last check.”

The look Matt sends Charlie chills my blood. I shouldn’t have said that.

I hope Aji doesn’t come back for his money now.

I hope Maggie’s ride already has her clear of this town.

www.sherimcguinn.com

www.amazon.com/author/sherimcguinn

https://www.imdb.com/name/nm8459664/

Please comment. Thanks.

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Impressions: Mortal

I’m a salesman—spend half my life driving from one pitch to the next. It gives me time to think. That night I was driving through the redwoods, well past midnight.

When I was a kid, I read a spooky tale about a girl named Lavender who haunted a back road. They said she was dressed up for a party. It was a good story and I probably read it a few times, as I did when I was a kid and had all the time in the world, but I’d forgotten about it until I saw her. Not Lavender, the girl walking barefoot along the narrow road lined with giant trees, wearing what I took to be a prom dress, a flimsy bit of pink gauzy stuff and lace.

I was well past the last tourist trap when I saw her.

She wasn’t carrying shoes, as you might expect with the fragile, uncomfortable sort of thing girls wear to a prom. She was walking along the road at midnight with feet accustomed to the gravel of the shoulder, not picking her way like someone with tender soles. There had to be a destination in her mind, so sure was her stride. While she reminded me of Lavender, I didn’t doubt that this girl was of solid flesh.

She turned and waved her arms. My headlights flashed briefly on her terrified face, then it was gone in the night. I didn’t stop.

Offering a young girl a ride on a dark stretch of road in the middle of the night could have had disastrous results, were she of a mind and talent to claim misuse convincingly. I drove past the girl and on a good mile before my conscience got the better of me. There were so many ways she could come to no good end, walking alone that way along the road in the dark under the giant trees. And she had looked frightened.

She was probably a nice girl, a good girl who would not make up lies. I should help her. So I watched for a wide spot in the road and turned around. By then several minutes had passed. There was a good chance she’d have arrived at her destination and I’d find no one walking along the road.

It wouldn’t mean she’d been a figment of my imagination.

There was no sign of her. I went back well past the spot I’d seen her, to the little store with the carved bear, and I turned around once again and drove slowly, to make sure I didn’t miss her. By then I was worried. She had looked terrified. I admitted this to myself as I searched in vain. There were no houses on that stretch of road, no driveway to a home where a young girl in a prom dress would have gone, no side roads, nothing until the spot where I’d turned around the first time.

Well, I suppose you’re thinking she was a ghost, like Lavender, and I was thinking maybe I’d imagined her, too. But she was real. A man riding his bicycle along that bit of road the very next day spotted a splash of pink in a hollow beside the road. They say it was her head hitting a rock that did her in, but the force of impact indicates a speeding car clipped her, throwing her from the road.

Of course I know better. Mine was the only car on the road that night.

Impressions is a series of character studies – short sketches to wet your appetite. As Halloween approaches, I’m including a few less admirable characters. If you’d like reading more about this villain or his victim, leave a comment.

Thanks.

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