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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Dec 6, 2018
  • 3 min read

Updated: Dec 12, 2020

Novel Bites is a series of short stories from the perspective of secondary characters in my novels. Sometimes the story is straight from the novel, sometimes it’s not – this one is not. Maria’s husband is Joe in Running Away and Peg’s Story (soon to be released). Please comment. Thanks.

“Peggy Sue, Peggy Sue” – Buddy Holly’s song haunts my husband.

Every time it plays, Joe’s gaze turns inward and saddens. I know he’s thinking of Peg, a girl he knew briefly as I planned flowers and music for our wedding.

It’s not what you think. It’s not that kind of connection between them. He was her white knight one sunny day when she most needed one. He rescued her, listened to her, soothed her with stories, and got her safely home – at least with no more damage.

Today, he would have talked her into going to the hospital, stood by her as she talked to police and pressed charges against the boys who so callously used her body. My Joe understands that body and mind and spirit cannot be separated, that what injures one injures all parts of the being. So when he hears that song and remembers, he blames himself for not knowing more than he did at the time, for not being more than he knew how to be.

Joe confessed to me, after his last visit to his brother in Canada, that he’d driven back to the place he dropped her off,  and asked a stranger raking leaves in a yard if a girl named Peg lived in that neighborhood.

The stranger pointed to a house. “She used to live there.”

She ran away and they were told she was swept away by the flood that ruined my wedding plans. Her loss was of course the more tragic event, but the wedding, moved from a riverside venue to a small chapel at the last minute, with a fraction of the guests able to attend, that is what marks the time for me. That she died here haunts my husband – he wonders if she came looking for him, hoping he could help her again, or perhaps still searching for deliverance from her trauma?

And this is why I have a secret from my partner in life. Not from any foolish jealousy. He treasures me – there’s no insecurity between us. No, I hold secret from him that which would only deepen his unreasonable sense that he failed this stranger somehow. It is a secret I share with his aunt. You see, the girl did come looking for my beloved.

She was thin and pale and impressed his aunt as old for her age. It had to have been her, though despite the circumstances in which they met, my husband admitted she was quite pretty with a figure that may have drawn unwanted attention. Auntie says the girl came only the one time, looking quite desperate, and quick to believe when told the Joe she sought was out of the country on his honeymoon. We agree he doesn’t need his guilt reinforced by that knowledge.

Since Auntie shared her story, I share my husband’s unreasonable guilt.

On our wedding day, the storm had passed and the waters had begun to recede, leaving their destruction behind. When we saw the state of the garden by the river, my mother suggested waiting a year for the venue to heal, but I didn’t want to abandon our honeymoon trip to Europe. When I shocked her by suggesting my virginity would not last another year and any wedding that late might be with a rounded belly in the gown, she helped me find the small chapel where my beloved and I exchanged our vows on the date we’d planned.

So you see, the girl was not swept away by the flood waters. She came looking for my Joe while we were on our honeymoon.

But believing she is dead must be easier for her family than always wondering what became of her. I know it would only haunt my husband more to know she may still be out there, still trying to put body, mind, and soul back together.

I know she haunts me.

  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Jan 11, 2018
  • 3 min read

Updated: Dec 15, 2020

While I plan the release of Peg’s Story: In Search of Self, I’m still writing. I have several short stories that are actually thumbnail sketches of longer romances, so I’m turning some into novels. I want to make sure nothing I write undermines women. Therefore, I’m looking at common myths about sex and making myself some rules. The first one is about alcohol.

Myth #1Sex is better after a few drinks

Alcohol lowers inhibitions. If it’s a situation that will lead to remorse (like bedding a friend’s mate), alcohol is obviously being used as an excuse. Where women are concerned, the idea that sex is better after a few drinks reinforces the underlying myths that nice ladies are reluctant to debase themselves that way or that good girls don’t get horny. It supports the dichotomy between “good women” or “nice girls” and the ones who are “easy” or “sluts”.

Physiologically, alcohol makes women less ready for sex. (This Cosmo article goes into that in more detail.) Just like men, women who have too much to drink are less likely to become fully aroused and achieve orgasm.

Alcohol also impairs judgment, which can lead to morning-after regrets. Whenever someone takes this on to denial and falsely cries rape, they impair the credibility of the person who said “no” or “stop” or struggled to get away or were too drunk to know what was happening. In fact, the common practice of having a few drinks to prepare for sex makes any sexual assault involving alcohol or drugs more difficult to prove.

Me too

When I was a teenager, two guys got me alone at a party and with clear intentions to take advantage of my impaired condition to have sex with me. Had they succeeded, that would have been rape. However, I was sober enough to deal with it by pretending to “come on” to the smaller one, which got rid of the other guy. By the time I could have walked away, I was feeling the effects of the alcohol I had willingly consumed earlier and was enjoying necking with him, so if we’d had sex at that point, I’d call it my stupidity, not rape – because I got myself drunk and I could have walked away once I had him alone. Fortunately, he’d had too much to drink anyway.

However, I was drugged and “taken advantage of” in college. I was at my desk working on my term paper, hoping the jerk who’d dropped in uninvited would take the hint and leave, then it was dark, we were naked, and he was on top of me and in me. My stomach burned for two days from whatever he put into my Coke. When I saw him on campus after break, I jumped into a relationship with a townie, spent most of the semester off campus or hiding in my room, then dropped out to get married. It took a couple decades to label that correctly as rape.

Rule #1My heroines will never drink to have sex.

They’ll have sex because they want to and being sober won’t stop them from being hot or wild. Whoever they’re with will turn them on, loosen them up, and give them satisfaction—no alcohol or drugs required.

  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Jan 4, 2018
  • 2 min read

Updated: Dec 14, 2020

People always ask if the stories I write are about me. No, their stories are not mine.

But, yeah, #Me Too.

My fictional characters have more dramatic experiences than me, but Me Too. I was drugged and “taken advantage of” (as we mistakenly called it back then) in my dorm room. I’ve worked in what they now call a hostile work environment more than once. Actually, if you include annoying garbage like the boy behind me in Spanish continually trying to undo my bra, there are too many incidents to list.

As a writer, I use all of it to make my fiction come alive.

In Running Away, Peg marries the wrong guy. He molests her daughter Maggie, who runs away because she’s sure no one will believe her. She’s right. Her mother’s first reaction is denial. Why? Because the predator skillfully manipulated each of them to damage their formerly strong bond. Fortunately for Maggie, her mom’s denial doesn’t last long.

When Peg’s telling a co-worker how she wants to drop everything and go look for Maggie herself, she tells him she ran away at the same age and “My parents thought I was dead for ten years.” The novel is as much about the mother as the daughter. Peg’s been running away from her past all her life.

I didn’t convey that clearly to agents or editors, so I ended up self-publishing. When I sold the screenplay, I never got to talk with the director and with the addition of a few short scenes, he changed the mom’s backstory and made the villain obviously evil. While most of the script is still mine and Running Away is a good Lifetime movie, someday I hope to see it redone with my characters and the theme as intended.

Meanwhile, readers asked for Peg’s story and I’ve finally finished it. It starts while she’s an innocent teen, but it’s her “Me Too” story and the long way back to liking herself enough to be comfortable with all of her past.

Keep an eye out for it: Peg’s Story: Detours.

Contact

smcguinn@sherimcguinn.com

© 2025 Sheri McGuinn                                                                          

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