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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Dec 14, 2017
  • 3 min read

Updated: Dec 14, 2020

In 2016, I made a respectable amount of money as a writer. I really wanted to make more this year. Instead, I’ve made virtually none. I felt like a failure, until I saved my “Priorities for 2017” as “Accomplishments for 2017” and edited it to reflect what actually got done this year:

I expanded the number of excellent critique groups with which I’m working on screenwriting, short stories, and novels. That was an essential goal and a major reason for my move to an urban area.

Running Away was shown in French-speaking Europe, then was released as a Lifetime movie.

The screenplay for Michael Dolan McCarthy lost an award, but I used their notes to make revisions. With feedback from two screenwriting groups, I wrote and revised a screenplay based on “Maria Angelica’s Baby” – the short story included in Saturday Evening Post’s anthology in 2016. I submitted both of these to the 15th Annual American Zoetrope Screenplay Contest. Results don’t come out until February. I also wrote a script for Frankie and Grace and submitted that and other scripts to multiple network writer development programs.

With feedback from beta readers, I did revisions of my new novel – the story of Peg, the mother in Running Away. Then I met and traded books with Sarita Sarvate and made major revisions thanks to all of her questions and comments. Peg’s Story: In Search of Self has been submitted multiple places. But in light of current events and the general rule that traditional publishing takes its time, I may decide to self-publish to get it out sooner. The character surprised me when she landed in the arms of a trafficker, but the ups and downs of her journey after that will speak to anyone who says “Me, too.” Goal for 2018: Fund an effective marketing campaign.

I sold books at the Citrus Heights Hidden Treasures Art Show, the Oakland Book Festival, the Gold Country Writer’s booth at the Gold Country Fair, and an author event at Book Passage in Corte Madera put on by the Women’s National Book Association (WNBA). I also attended the WNBA Pitch-O-Rama in San Francisco. I sent out a press release after getting a glowing review of Alice and saw a jump in sales of my books at Amazon.

That’s not everything, either. I’ve been tracking submissions and have short stories out all the time. I wrote a script based on one and the actors in the Capital Film Arts Alliance gave it an awesome table read. It may be produced as a trailer when I’m ready to publish a collection of short stories.

I didn’t make much money this year. In fact, after expenses it’ll probably be a loss. My projects didn’t come in first place anywhere and I didn’t get accepted into those writing programs, but I got good feedback from judges. With the input of good critique groups I produced multiple well-written major and minor projects. They’ll eventually be produced or published because tracking submissions and my time has made me more consistent. I’m even posting here weekly.

So while I may not have made much money writing this year, I did accomplish a lot.

The funny thing? In 2016 I did very little writing. The first half I was teaching full time with injuries, the second half I was living in my son’s living room with almost everything buried in storage while I had and recuperated from surgeries on knee and shoulder. The successes and income were from work done previously. So maybe next year…

  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Dec 7, 2017
  • 2 min read

Updated: Dec 14, 2020

My to-do list tends to be insane. At times it’s grown to multiple two-column pages. That may be okay for long range planning or keeping track of little details, but when it’s multiple major projects it can lead to paralysis and a sense of failure because I never get it all done.

I’ve developed something that’s working better.

A couple months ago, I set up a spreadsheet to track the hours I spend on different writing activities. The first column has the categories: writing new material for blogs or promo; writing or revising stories, novels, etc.; research; routine business; new business; networking; critique groups and reading for them; marketing activities; and writing/editing for pay. I estimate how much time I’ll spend on each activity each day and the hours for each activity are totaled for the week. Then I’ll type in the estimate totals in a separate column and erase the daily estimates.

Each day I keep track of how I’m spending my time in a day planner, then enter those times into the chart and compare the actual time spent weekly with the estimates. This gives me a realistic view of how I’m spending my time and whether or not I’m maintaining an effective balance. I also can see when I’m pushing myself too hard or slacking off.

After the first week or two, I added two more columns—one to list what I plan to do in each area, and one to record what actually got done. The to-do list! Because I’d been keeping track of my time, I was able to come up with reasonable estimates for the time needed for similar activities and make this more reasonable.

One or two sixty hour weeks when a project’s near completion is reasonable (for me), but to maintain any kind of life balance, that level cannot be sustained. During the holidays, when family time expanded, the hours I expected myself to work on writing decreased. Since I know I do those sixty hour weeks, it was okay to have some short ones.

Thanks to this system, I’m getting closer to reasonable expectations for each week. My goal is to routinely complete everything planned in the time allotted each week and sometimes do a little more if time allows. Then I’ll feel competent consistently.


  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Nov 16, 2017
  • 2 min read

Updated: Dec 15, 2020

A few weeks ago I completed my new novel and started pitching it to agents.

Logically, I should have gone straight to my non-fiction project that will tie into workshops. Or I could have focused on getting the marketing of my short stories and screenplays set up to run smoothly. Both of these projects are in process and could lead to more immediate income than a novel. But neither of them provides the same satisfaction as working on long fiction: creating characters and watching them evolve in unexpected ways, braiding together plot lines, and those “Yes!” moments when a phrase or scene is just right or critique illuminates a way to tell the story better.

Instead of being logical, I became depressed.

My files are full of ideas, but none of them was calling my name. I took different short stories and novel starts to different critique groups, to see which made people want to read more. Several did, so I still had to make a decision. I dithered, knowing it would be more practical to focus on the other projects before starting another novel, but missing the process unique to writing long fiction. Then I took ten pages to a drop-in critique. They only work on five pages there, but I intended to take the second five to another group later in the day. The faster readers read all ten pages and there was consensus that they wanted to keep reading.

I took it home, where I had the first twenty pages on the computer, and made revisions based on their critique, changing the starting point and several other minor corrections. I sent off pages to a critique group that pre-reads. I’m stoked! It’s YA speculative fiction, a contemporary setting with some parapsychological elements and that group not only gave me excellent feedback to improve the beginning, we discussed writing goals as well.

The next week and a half is going to be devoted to family. We’re doing Thankmas because one group’s moving across the country in December. (Thanksgiving Thursday, Christmas Friday.) But ideas will be simmering and once everyone’s gone home, I’ll be ready to crank out that first draft quickly.

I’ll still need to set aside time to focus on getting those practical projects set up and working, as well as pitching or publishing the just-finished novel and planning promotion and marketing for it. However, having a new work simmering energizes me and improves my focus, so that time spent on the practical will be more effective.

Contact

smcguinn@sherimcguinn.com

© 2025 Sheri McGuinn                                                                          

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