Writing Daily?

Are you serious about writing if you're not writing daily?

Many people insist you have to set a goal of so many pages, words, or hours every day. I admire those who have full time jobs and manage to get up before dawn and work a few hours every single day. The stamina of people who take years to finish a first draft a few pages at a time floors me.

I am a project-based worker. I can maintain a regular writing routine for a defined amount of time. For instance, the when I was writing the first draft of Tough Times (at that point called Michael Dolan McCarthy after the main character), I wanted the manuscript ready to submit to a particular contest. I stayed at a condo in Angel Camp for two weeks and set my goal at 10,000 words per day minimum to finish the first draft. My daily structure also included catching up by reading a stack of professional writing magazines and walking outside. The first draft was sent to beta readers and revisions were made in time for regular entry into the contest, where it made it to the quarter-finals. However, when I'm not working on a specific project with a specific deadline, I have many other interests and responsibilities that keep me busy - until I sit down to write. Then time disappears and I keep going until something is complete.

Imagine my relief when I read Stephen King saying"Once I start work on a project, I don't stop and I don't slow down unless I absolutely have to...And when I'm not working, I'm not working at all... For me, not working is the real work." (P. 153, On Writing: A Memoir of the Craft). He's a project-based worker, too!

He does recommend having a daily goal when you sit down to write. Currently, I'm working with a group from WNBA (Women's National Book Association, not basketball) where we set goals and hold each other accountable. I'm working on revising a novel written several decades ago. I want it done by the end of March to swap beta reads with a fellow author. So, my goal is to write at least eight days and finish at least twenty pages each of those days. My first day, I polished the first twenty-seven pages. The second, I revised and tightened another twenty-two. Some pages are ready for critique by the local writers group; others are ready for my online group. I won't have a chance to lose myself in the writing for a few days - I have other obligations on three days and will try to do all the odds and ends of things those days, so when I hit another writing day, I'll be clear to do more than my minimum goal.

So while writing daily may be best for some, others may have different patterns that work as well. The key is setting goals and giving yourself time to meet them.

My Comps

Books by McGuinn

When pitching a book, it's helpful to find comp (comparable) authors who either have a similar writing style or who choose similar trials for their protagonists. This involves reading a lot of authors - because not every writer in your genre will be a good fit.

Here are my comps. If you like any of the following authors, you might like my books, or if you like my books, you may like theirs, too:

• Colleen Hoover - We both write realistic stories with some intense scenes that deal with similar issues: sexual abuse, mother-daughter relationships, etc. All of my novels pictured above have teens dealing with tough times.

• Rhys Bowen - I read Above the Bay of Angels, which was historical fiction. If you like how her character grows through the story, you might like Peg's Story: Detours, which follows Peg from Christmas 1971 to Christmas 2000.

• Catherine Ryan Hyde - Brave Girl, Quiet Girl might be the closest match for Maggie's Story - Running Away - we both do intense, gritty realism that make you keep turning the page.

• Kristin Hannah - While Firefly Lane has friendship as the moving force, if you were drawn to the struggles of the character who goes from neglected child of an addict to super-achiever, Peg's Story - Detours may appeal to you as well. We both use gritty moments of realism to convey the larger situation.

Let's blame covid

The end of 2018, I sold my home and moved in with my son in Needles, CA. The plan was to help him with his fixer for a year or so while I decided where to live next. His siblings with children both live in areas I can't afford. I had a minor foot surgery scheduled for the end of January 2020. Once that healed, I was going to find my own home again!

Of course it didn't happen that way. Instead of house hunting, I was shopping online and wearing my painter's mask when I had to go to the grocery store. I watched more television in 2020 than I have at any other time in my life, binge-watching series I'd heard of but had never seen and calling it research for screenwriting. Right. A lot of it was simple inertia. But I wasn't a complete slug. I kept working on my novels and editing.

I finished up 2020 by publishing Peg's Story: Detours and Running Away: Maggie's Story. Peg's the mom in my first novel, Running Away, and readers had asked for her story. The character took over at the bus station and shocked me by bringing trafficking and other issues I hadn't anticipated into her story, so it took forever to write. Maggie's Story is a mildly revised version of Running Away - primarily updating quotes from Peg's journal to match the new book.

In March 2021, I published Tough Times, which is Michael Dolan McCarthy's story lightly revised, re-titled, and given a fresh cover. I can't believe I never posted here about these books! I've done a wee bit of promotion and sales are happening, but I really need to do better. I have entered the books in some contests and have submitted several short stories to publications. No great results yet, but a lot of it's still out there. I'm continuing to write and submit. I've also done some editing this year.

One good thing about COVID - Capital Film Arts Alliance in Sacramento went online with their screenwriter and other meetings. I got to rejoin and participate from eight hours away! That got me working on my scripts, too. I prepped and submitted a feature-length script of Tough Times and three shorts to the Austin Writers Conference and Film Festival. They had over 14,000 entries for a handful of awards. No, I didn't win. I did attend the conference in October, which was exhausting and exhilarating all at once.

Other bits about 2021:

I spent about ten weeks on the road - one to the burn area in Northern California and two cross-country trips - going to a reunion, visiting family, looking at real estate, and going to the conference in Austin.

I've spent a lot of time on cars and insurance. On June 9th I made the wrong left turn and a truck killed my Kia Rio. No injuries, but I was due to leave on the first big trip, so I bought my son's 2020 Mitsubishi Mirage. On June 30, I was driving on a dark road in Wisconsin when a really big deer tried to fly over the hood. While he smashed into the windshield, his forward momentum carried him on across the car instead of his landing in my lap, so I wasn’t hurt. However, that was the end of that car, too. Not my normal June.

I finished the trip in my first automatic - a 2010 Ford Escape. Still getting used to it; still searching real estate; still writing and editing while I figure out the design of my future.